1970 - ELIPSON
Elipson is 100% responsible for my involvement with speaker design, period. Many of my contemporaries designers were all in awe with these speakers and we all tried to emulate their design and the magical sound they were capable of. It was a labor of love by artisan Joseph Leon and his team. I had the chance to compare these oldies with the new 4260s, but no match!
The 4260s are hifi speakers, the 4050s are musical instruments. Often imitated, never equalled!
1980 - THE GOLDEN DECADE - AW AUDIO
AW Audio started at the same time as Microphase and lasted a lot longer, up until 1995 with the introduction of the TRANSPARENCE, which unfortunately was not a commercial success.
Alain Wacquet, the designer for these amazing looking open baffle speakers, was, and still is, a great amateur of jazz and a great musician himself, still composing and up until recently involved in radio programs promoting the most modern of music genres. Alain is a perfectionist and his demos were some of the most spectacular I had a chance to listen to. He had a keen ear and a good understanding of getting the most amazing result out of the speakers. His demos of percussion instruments were legendary, specially considering the lack of real bottom end to these panels. We became friends - and still are - because we shared the same design objectives, time alignment, impulse response and respect of timbres, a must to reproduce music, not hifi...
1990 - SONUS FABER Guarneri Homage
This was and still is one of my favourite speakers. Still relatively compact, beautifully crafted, Italian with all its elegance and flamboyance, it is more a musical instrument than a hifi speaker.
Again here, phase, time alignement, dynamics and low cabinet resonances give precedence to the music, well deserving their name as an homage to the violin makers of Cremona.
2000 - MARTIN LOGAN - Summit X
I could have chosen a number of models fromMartin Logan, but I think the Summit X was the first one to be the best at matching the electrostatic panel and the integral subwoofer. I could happily live with a pair of these if I had a larger living room. Their speed, imaging, transparence - both visual and auditive - as well as going low enough without becoming boomy are the reason why I would have chosen them as my favourite speakers at the time and some of the best irrespective of time. They are also spouse friendly enough to be enjoyed with your partner.
2010 - KYRON AUDIO - Kronos
This was a revelation at the first HiFi Show in Melbourne after 16 years of absence. I was not going to miss that show, although I had just returned from the Paris HiFi Show, I managed to go
So glad to meet Leon Suter and Lee Gray and listen to their hifi journey. The Gaia was their first commercial attempt at open baffle speakers, but they employed the heavy artillery, using the best drivers, the best class D amplifiers and the best DSP in the form of the locally designed DEXQ. There are NOT spouse friendly at all, but the sound, even in such bad sounding room was amazing. I was the first to write ecstatically about these marvels of design, engineering and musical performance. I still remember the look of amazement on visitors' faces, circling the beasts as if it had just landed from Mars. And maybe they had...
A couple of years later, Leon and Lee were at it again, with what I believe are even better speakers at half the price and much more aesthetically pleasing. The DEXQ software had improved, Hypex had released new class D amplifiers with an almost non-existent level of distortion and a much better slew rate. The drivers are more or less the same, but this time the mayonnaise has gelled and those are the best speakers I have ever listened to, in over five decades of addiction! I was vindicated at the recent Melbourne Show, when Michael Fremer, a vinyl and analog aficionado, who has his own blog - Analog Planet - and has been writing for Stereophile for decades visited the Kyron Audio stand, he was mesmerised and I will quote only one sentence from his article:
"There was nothing 'digital' about the presentation. Nothing." Exactly my point...
Jullien aka Violet from Passion Elipson has just shared these photos with me. They have been taken during the installation of the Elipson Expo, where Jullien has loaned a number of his collector's items. I will let you enjoy them without further comment...
Elipson: 60 years of French Innovation in Pro & Consumer Audio
What can I say? You know they are my favorite brand of French speakers, no less because they started me on my journey, were an inspiration for my own designs (and of a number of other people in the industry) and have survived many avatars and incarnations since Joseph Leon passed away.
There was a minimum amount of new products in the range this year, concentrating their marketing efforts on the Planet L and the new smaller M version (are we to expect an XL and S versions???) and their new Music Center, squarely aimed at the iPod generation.
Fortunately, Cedric Leon (not related...) was still conducting great demos of the 4260 and other products in the range, but only from digital sources this year - Mitchell turntable absent unfortunately...
Added bonus though, the re-issue of the BS50/Chambord, my sister-in-law and Interior Architect Extraordinaire (based in Perth - WA) icon speaker who is currently saving for a pair!
After the Show, I was lucky enough to spend an afternoon with Violet from www.passion-elipson.com who happens to work there and responsible for the look of the new 4260.
We had a ball (or should I say a sphere...) comparing a pair of 4040 and 4260 around a cup of coffee and a great chocolate cake specially baked by Mme Violet!
Watch out for my full report soon on our "Interviews" page.
Born in France, well travelled, relocated to Sydney in 1997.